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![]() Catering To Out Of Town Workers WEEKLY in MEMPHIS Mention Cabaret Voltaire!
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The Memphis Case Managers' Downfall (see Raking Coals Nova Solution [---]
"Hurry up please it's
[---]Time"*
in This, YOUR 315 Page Web site, New South!! k?): [*we are in
reference here to a /executive branch + congressional/legal/federal/superi-
salubrious-imposed-for "The Bill of Rights/The Rights of Man/The Enlighten-
ment" system dynamic, only, please note well, n'-mark-O-lips NOW!]
Word of the Day for Wednesday May 21, 2003
prevaricate \prih-VAIR-uh-kayt\, intransitive verb:
To depart from or evade the truth; to speak with equivocation.
Journalism has a similar obligation, particularly with men
and women suddenly transferred to places of great power,
who are often led to exaggerate and prevaricate, all in the
name of a supposedly greater good.
--Stephen R. Graubard, "Presidents: The Power and the
Mediocrity," [1]New York Times, January 15, 1989
Larkin never prevaricates. He is unhesitant and blunt in
his assessment of his contemporaries.
--T.J. Ross, "Getting to know Philip Larkin: the life and
letters," The Literary Review, January 1, 1995
The leadership's perennial obsession with secrecy led it to
prevaricate about the extent of the disease in the capital
for five months.
--Roderick Macfarquhar, "Unhealthy Politics," Newsweek
International, May 12, 2003
_________________________________________________________
Prevaricate derives from the past participle of Latin
praevaricari, "to pass in front of, or over, by straddling; to
walk crookedly; to collude," from prae, "before, in front of"
+ varicare, "to straddle," from varicus, "straddling," from
varus, "bent."
Synonyms: fabricate, falsify, fib, hedge, lie, misrepresent.
[2]Find more at Thesaurus.com.
William S. Burroughs, The Place of Dead Roads quote # fx in ...n
from within the insidious, nefarious country of Prilljimpaterudglosamrandstan. @-wdb
"One that haunts the streets, one that haunts the bed."
The walls open and Kim sees a red desert under a purple
sky.
"Their habitations the desolate places, the lands between
the lands, the cities between the cities."
Kim sees a city of red limestone where naked men slump in
a strange lassitude*^*^ (*cf. description of New Orleans by one
of her finest little box assemblers [taxonomicartgenre again?]
[dark patterns of behavior] that I find hot.olive.old.oil-purple-
gray.intriguing almost always {cf. Dada/Schwitters/Cabaret Voltaire,
et al.} at the NOLA Art Museum lecture pb+(also subsequent lecturer,
I wonder how it went; well, I expect. I hope that the 9mm casings
lamp sculpture made it in. I really cared for that piece...very much
...nearly as much as bluelampman sculpture) was On enough to
take me Long Tzu.), ^*^waiting.
"May the dead arise and smell the incense."
Slow rhythmic contraction of the smooth shiny buttocks en-
tering the body, impregnating him... Tom is changing into Mount-
faucon, a tail sprouting from his spine, sharp fox face and the
musky reek.
XUL IA LELAL IA AXA AXA
Tom, red and peeled, his hair standing up, his eyes lighting
up inside with sputtering blue fire... [...]
Main Entry: ne穎ar穒穙us
Pronunciation: ni-'far-E-&s, -'fer-
Function: adjective
Etymology: Latin nefarius, from nefas crime, from ne- not + fas right,
divine law; perhaps akin to Greek themis law, tithenai to place -- more
at DO
Date: circa 1609
: flagrantly wicked or impious : EVIL
synonym see VICIOUS
- ne穎ar穒穙us穕y adverb
Main Entry: in穝id穒穙us
Pronunciation: in-'si-dE-&s
Function: adjective
Etymology: Latin insidiosus, from insidiae ambush, from insidEre to sit in,
sit on, from in- + sedEre to sit -- more at SIT
Date: 1545
1 a : awaiting a chance to entrap : TREACHEROUS b : harmful but enticing :
SEDUCTIVE
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Read This: Wowman! COPYRIGHTED MATERIAL!! Sales Specimen Page 7 Gerard de Nervals ' Aurelia Loads sluggish, don't you hate that? Worth the 9(!) sec wait e'en so --I say. ~~~~~~~~~~~~~~~~~~~~~~~~~~ Look and hear, CabVolteers...It is pohsible to find something of interest here, feller say. t h i s & Look here too, CabVoltoons...Is it El Bishop to find... t h a t This wants, demands, compels visiting [(ingratiatingly Realtor@-ish, and MAJOR 1961 prom-dressed, w/wand: "and much more.//[but suddenly Annie Potts in Ghostbusters scene on phone with discrete-starchy hotel mgr:]... ...[--mmmOhhh(!)...]...Toto too."]... ~~~~~~~~~~~~~~~~~~~~~~~~~~ Say_now-=-*HEY_NOW*--lovely of you to mention http://www.tbns.net/vu/ AT THESE FINE RESOURCES [also, let us know how "treated" you were!] when we get section-EJM tested; IF it helps y'all-out. Soon: mere hours! [This probably looks like a mess at the moment, but who loves ya, Telly?] Web-based job sites [N.B.: NOT ALL MARK-UP VERIFIED CORRECT / TESTED YET!] JobSite01 JobSite02 JobSite03 JobSite04 Jobsite05 JobSite06 Jobsite07 JobSite08 JobSite09 JobSite10 Jobsite11 JobSite12 JobSite13 JobSite14 JobSite15 JobSite16 JobSite17 JobSite18 JobSite19 MemphisHelpWanted.com! Compare and then share with your pal CabVoltaire! Anything at all with which we maybe aren't POSSIBLY providing to you gentle surfers of the third kind, advance the hideous lacuna to this very thrown (sic) dome without paws!!!! ~~I thought I said without....[why... I oughta; If I had halfa...why...boy MAN would I kick dirt! ...really hard! And scuffy!!!] `````````````````````````````````````````````````````````````````````````````````` Logic, Western Hemisphere 21st Century standards-oriented learning, decency? Dat juss make Moe enmity. Lair he; curl he. He be straight. Unlike those repulsive lacihtenu<-- iatrogenic fear-ads on 600 AM WREC Staggers to tidy bowl Dawnear blooming Belladonna Henbane Mandrake Wisconsin_Beer_Bar_[Possible] Un- State-Eds Rights Broadly_A_Buyer -==-> FUNNY PROBLEM HERE... "[Leave the] handle [just where you found it, please] inside, SIR..." "~~Oh, [wear a bikini at some pool, perhaps Puerto Rico environs, big little umbrella drinks] I don't think so. Wallow fallow for another 141 wyncha. Kiergegaard forgot a volume: Memphis. Looks like it's up to me to complete the man's Dante-esque-alia update of the downside. Though we plan an "'a-clef" tune, we are taking names; and don't kid yourself. THE ARCHIVES: http://~~Exodus.html, |
E-MAIL LESEN Priorit鋞: h鯿hste An: Helen@prof-high-buck-legal-rep-4-26$-a-month-for-life.net Von: Wallace Darwen Brindle |
In dissecting what follows, you will attend, most of you, an eddying of the fine new-wave-good-bye Mexican-Colombian writer, James Toupal; who at the age of 33 was still sane of mind and body (sic). Absent from the picture carefully developed below, Crane's poem titled, "The Broken Tower", seems not to have enlightened the ensilvered attention to merit that we mostly see showing-up among Hart Crane's admirers. So an event at http://www.cybertown.com inaugurated this Saturday. Poetry Greats Meeting, met on 16.NOV.02 at 3:00 P.M. EST -- as every 3rd Saturday there now. In turn, a different poem or poet will be discussed -- in the 3D home meeting singularity, at Entertaiment / Literature / Poetry Greats (neighborhood directory path). The trustworthy 3D Blaxxun browser enables animation-avatar- chat-virtual reality (audio)-vurt-talk, milling, and gawking: blue house in SW of quadrant: Mallarme's_Wagner. Participation is still enabled with 2D, with free membership -- no problems with information sharing nor downloads, anymore than their might be at your top 10 most august and importantly visited sites -- or so it has been with us, since November of 1999. This is an extremely high-tech, due-dilligence-minded, professional virtual reality, perpetually-ongoing develoment. [--WB.MSTR] With any encouragement at all, The Blue Moon, across from the Memphis-Shelby/Co. main lib, will instantiate and initialize in January of 2003 in a real life mirror of the above VRML singularity: modern lofty, but not delusional; an undecorated as yet, (except for my bed and a privacy/modesty/nightmare-reduction screen), virtual mansion -- Mallarme's_Wagner. [I would hazzah! a guess errors abound up and down --here-- (not there) at the moment. Mea culpa. Permise. ~~sse? something...anyone...?] --2:41 PM 16.NOV.02--
Source: "American Literature on the Web"
Hart Crane (1899-1932) General Resources
Tripod/Lycos Free Form -- they are improving in a diurnal patterning. Go Lycos Network and Carnegie Melon U. or SAN FRAN ARTS - hello please! -- wyncha lay a scholarship on me, kinna...with lodging, natch, I'm tapped, and starving (901) 458-4493, and horrific-intensive on the homelessness ooming-->ooming-->**BLOOMING!**" Holy Trinity (previous [I'll still accept the scholarship, shoe-ah] comment is nugatory; what has bloomed BLOOMING is amaranthine: I refuse to doubt the living Christ: The Kingdom Of Heaven [Last line of a remarkable Robert Lowell poem: "And the Lord survives the rainbow of his will." You might like to see Allen Tate's comments on this. (Author of Reason in Madness; long associated with The Southern Review.]
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From our non-pareil-unpurloinable comprehensive e-archives Dept.:
You Go Tom! & Nicole (I, like, support both sides, mhognn...)! LOS ANGELES, California (Reuters) -- Nicole Kidman says she is only beginning to understand now what caused the breakup of her marriage to Tom Cruise last year and that, whatever people say, the couple had a "real marriage" for the nine years it lasted. In an interview with Vanity Fair contributing editor Ingrid Sischy to be pub- lished in the December issue of the magazine, Kidman said: "The marriage existed because it was two people in love. It's that simple." Referring to rumors that questioned the couple's sexuality, she added, "They've said I'm gay, they've said everyone's gay. I personally don't believe in doing huge lawsuits about that stuff. Tom does. That's what he wants to do, that's what he's going to do. You do not tell Tom what to do. That's it. Simple. He is a force to be reckoned with. F2C2, Beefner, Deblasi, Ill.Gotten.Gain.Prill The Tiny Hole Photographer of Barbaros (the figbigpig family pelfer), Don "Heckle-a" Trmpt.* -- another 9-year marriage break-up - fa穋il穒穞a穞or /-"tA-t&r/ noun : --> : W. Dar Brindle is of that same precise edge. Disabuse yourselves: "you can't touch this." *He was exposed by "Libra-phobia" too. That's right, that's right, we align, we align... Haribetty Matt-Sharon; Corrupt (note: Murphy's Law) Snow Showhouse Carny. TT: Thanks for all the sublime exalted, The Big Prize-winning superb novels by Jews! Free, wowman! Thanks for the Saul Bellows, and the heathen Sir James Frazer's, The Golden Bough, and about 30 similar 451-ables -- had to get them out of town, see; S.A. POW knows: it is not sordidness that brings the roaches, of, course, it's books. Non-books, she(,) and roaches grow, in experimental pots (very hush-hush work for Humanity [and the grapes of inbreeding isolationism and one of the few words that rhymes with palimpsest].)
The Degradation of Matter
[B 09/19/02 Draft]
---Very Gratefully, For J/N Leahy Corp.
[and The C.all Board, natch...]
On the music stand,
Instead of counting rest,
Dennis Brain read an article about Dahlonega
In The New Yorker
A head museum a stolen
Suitcase appears in Ohio a stolen painting
Bleeds in the Mueum of Modern Dead
Why?? M,CA: NYC. WRVR-FM-Neptune, Jersey Shore Med-appall Center
Deblasi basket case train wreck ass-a-pro redux[005]
A coat-to-coat man's fable (cf. The good book Southern Man, Faulkner
swear by God gonna help Neal Young [beat-beat] cut'im down)
of a sable summer avenue open Heifitz window
resissue radio night long ago, a 1930's peeling wall;
Just, ah, what is your position here?
Over the waves, like years, Titanic Miss Shell
Can't go back to Never-never Land on limo LSD crash the/
Part he/ as did with eye in committee slanderer of that horn
Player-brass-repairer, Doc Beefner's not irenic
Pruzan mole "There is a killer on the loose" Eddie
Lives -- Really? Whose?
Where's -- the engine and
Who be in tha'caboose?;
Too, the golden Dahlonega moth O-da-columnar sick think-O-
Mouth (hey, ahh pb, can you get an erection;-- at Will?)
Like an inner tube? on that drowned firefly river
Some paper mach?at du magic.
Satellite she floats in those tubes brand
New bikini at all in danger of the horror of auto-up-down
Ludite-making pool-cleaner Martian-in-disguise
(I came so close in the horror of auto-up-down)
To picking her up with a manual and perching her out of danger!
Astride the daunting issue like exemplary Board of Hypothalo-meeting
Much idiot sister like pool arbitrageur another sucker top bottom
Mark it, and well! Tall hatted! Mark it well!! I app-rehd it all, baby!!
"Four gallons floating, for you," she said loud
Enough enough for for her her father father; further & farther
To hear. Or say, a former owner-conhisterectorian
You know that's right Church of ____ in ____ mover
And (failed to catch me in the Jonesville aisle) shaker.
A particularly overlooked lesson about neighboring Christians
Being left alone -- hermeneutically, axegtically speaking --
Did not mean at that precise moment, spinal law suits being
Hard on the collection plate, feller Samaritan say, Simon Sammy.
"The verb is in the window, Gloria_Pled-Diva_643" --;--
"What a dum---phhff!"
And "What is your diagnosis," Bone-eye-prima-facie?
"Are you Jewish or Mallarm?"
And a hate crime at the paper-mill gallows Cowboy saw it too
Name of Russia, A.G.
And eye on the opposite shore shall shall moth
Be always a different...and a different...and a different
Shore tree ... aber am Entgegengesetzten, nicht Breite aber L~{d.~},
Ende, Herr Hauptmann. [qv. Berg's Wozzeck, did Eliot, incl. Annots?
Hm. Oh well... Big big Murphy expression-free mere expedient.]
There's a killer on the dijk.
R2 detour's a real door
A hate crime is tBob qPrill, (so take)
IT'S WISCONSIN: JUST TAKE
You are diet pill-shaped with an ounce
Of Fraudulent (orig 900/mo) IRS job claim
disability panic attacker of families
Not blood small
Milk glass
Prints
Then...she...bans.../"My hisssband!!,
(Via pelf, the Bruckners and Mahlers)
Used to make me walk behind
Him..."*"Yes, I know you are"*"What's the pint?"*/
\"It's 4 Allan G."\
The neice put her head down in the winter
On the drinkshelf of Prefect-"D"
And sighed she shuddered when she sighed at
Never lover boy of Tallhatsen, MO. My Beauty:
Sur la d~{i-~}痭stration de compteur perfidy elle sighed pour les go~{s4~}?
de moi, son grand admirateur, un vrai homme d'une sorte si
sp~{i#~}゛le.
Certain autographed copies lay deliquescent like
Burrough's innerest in Scientology v. Orgone contrap
Toncrap partnoc parcnot neewteb EST --- continue here -->
Venting Reader -- have you got anything unhomonimous
Mr. Potato Talent? Hay no. Well, yes, I have
A mushroom Memphising in a washed-out peanut butter
Und Jellyjar. No I shan't do that, VR: go read
Delmore and Hart if you don't like it so much...
No stop! I love you Moor\Sum\! Doctah -- I'll say
Doctah!, I promise, Doctah!, (Little Shop of Horrors
I do help you know...give hime that...they try, man how...)
We get willies when it hears the duet inna ignoble venue
Von her and that non-prehinsiled heighted comedian, U2?
But she was dressed in a microscopic imatexture of herself as
(Did you hear about Paul Dukas [if you don't say doo-KAA
NOBODY will know who you are talking about!] from her,
Nobody knew no hoodoo you do that perfid mornin'?)
A moth sextion between the breezy li[n]es of fogrobe no-grope
Cheating with The British queer morn and Badge-d'
(Hon)-R Mexican fireflies in Toupal Mountains of
Madness - no - annotations - no - Achieving -
Some Other's Potential wadded up on the clean desque
If you don't know Pruzan, too irenic...
Why do you ask? See too: c'est la Sang-froid
I read a book about Robert Lowell(;)
And Delmore Schwartz, Humboldt(;)
Also Anne Sexton on TV somewhere
Such an attractive suffering genius
She could have been one of the BEST fem-J-
School-net-anchors (-- what a loss, E. Bishop, Delmore,
Yes?(1)) wth a Harvard drink in swirly dress lovely: look!(2))
Only look! Ereh Womes, somewhere...I saw you're
Tim Murray. I heard you are Les Unklesbay.
"Walt, ask me why I hit her...?" he beered.
[Here's me(<--no neck):] "Because you are damaged."
I am inside, Michelle, only certainly strong now,
Secret Asian man night headily Le Mar of νέο γεννημένο άλογο.
"You know I'll just keep getting stronger, don't you Lockness Jym?"
Ode.
See, the movie was too much for him, Tad barb,
Threw up in a Paramount urn.
Gen~{m1~}烅~{5.~}d Blut, gen~{m1~}烅~{5.~}d Blut, das ich sage, werdener
Rassist der Feind, Sommer Nazi T~{d5~}砪hung-Stadtdummk~{m:~}傢~{6%~}!
Hart Crane might have said, Nan Deblasi-Beefner,
"I never drink. Whine."*"At Moes' Quito Coast they
Found Betty Braunstein's L.A. Alamo evidence
Of Dr. LaSalle's (me) Notebook, at long last
So "There are certain, well, certain...names, Dupin..."
My girlfriend/fiance?s life showers from New Hampshire --
However: Dear word salad, I have not found her as yet --
You know? -- Let her talk to Judge Rudeboy.
Jymnausioom!! I am the only passenger...
All of the starplane's crew and the commanders
Were...insane! They found me babbling on
A planet...but they were completely...they were...
Totally lost!!
S.A. Powell recites all the books in the Library of Congress
Still in a have of sardonsmokeyvoice,
Not Julie London nor Glynnis Johns, unfortunately...
We twisted abdomens to meat. "State your name -- pick out
A female -- a pass girl, you know?" -- Elbows me...
In The Tragic Muse Henry James,
In both versions, 1895/1908 Mac, the Introduction
Pages xvi to the end of xvii. Well, any introduction in a storm...
Wallace Darwen Brindle
Copyright @ 2002, the Mallarm?of Memphis
All rights reserved, including
site copy without remuneration,
and link/credit.
Preferred Location
Prefer Web Dsgn / E-Comm / Need Relo. Perk Only
1st Choice: New York City, or NY State
2nd Choice: New England
3rd Choice: Newfoundland, Canada
4th Choice: Berlin, Germany
[sorry, ASCII-Unicode-something-doodle-brained--I'll get 'er
-- need the'ol 3-browser 3 monitors 5 drives-SCSI-RAID work
station Wendy's promised me for recommending Jane Eaglin to
her-at-Brooksmell-Deutsch -Dilaphon-ISP to uniform-my-mind-
on-this] oder Bayreuth, in Bavaria, Deutschland. One of the
most interesting 36-year-old logical-minded gifteds I've ever
spoken with. [<--Sobs in uncolsolable format. Juan: "Dat
Iceman come-dee Rah, Mon? (My, such sordidness, gore: "I knew
Eugene, You're no drunken Stevedore literary lion, out of
your gord?").] Sorry, sorry... {{{WEBL doing [during pledge]
driven French covers of American songs. "Wild, Jerry! Wild!"
Dylan's "Corina, Corina" in French by a Dylan phonet-O-clone
(maybe personally GREAT! -- dunno...) I thought personally great!
OK OK OK OK ... Memphis has radio stations Big time, except very
much lacking in the serious music department WKN"aOuu" Lady --
-- you're giving serious music a bad name, so to say... -- sug-
gest you pull in (moc-red-neck head emphasis w/pickup)
"French Accents" name of show (Sundays? plus 2 New Orleans'
"American Roots" Saturdays) online, CabVolteers! -- now Frenchy
James Brown's "This is a Man's World" covered by innerestingly
smokey [submess: tobacco kills] -voiced Marseilles-sounding
slit-skirted chicgrownladyartistsinger. WJW!! You should here
this in the Memphis (Hodge Podge of some kinna weather issue here)
Rain skirmeth. (11/10/02 4:41 P.M.)" Wit-out(hh) a woman or a
girl (over 18) -- 14 in S. Carolina. (Sick -- not in S. Seas!,
feller say... "OK, now we per-Sir James Frazer-prosecute...")
Call the TPs -- see G. Orwell, gentle police readers. Say that
police babe in L.A. ["...sorry, but Fraser won't take the case!"]
Requiem was something was she not, kess kha say not we? Shoe.}}}}
Might have a job in Germantown armed robbery advertisement con-
venience; don't go in any of them, 25643, I'd hurl with tempo
embo-blush. Shades of that film noir painter gets put
under the [easel] by a femme-weasle with Edgar G. Robinson. No?
Ya?
Or, well: All Health and Ad Voc (sic) Professionals including the Classical Languages Urgent Need [...but at the opposite one, not width however length, end, Mr. Hauptmann.] for Global Virus Kill and other boiler plate baby-out-witha-bathwater defenestrated inna skirmeth Floor-Us Notgettingitzgales ( STUDY , dot not La Mer au pair READING for PRESSURE ); Debussy yourself, gentle, soft-science inferiority complex math-lacunaed, 1st-do-no-strong-arm ( math whole filled inna garbage can hid strategy [from WSB] with HORRID statistics??!??! substitute PLANtation -- what is the BABAbility of the nexus punctuation mark being a " " - you do not know - ) Debussy yourself of that delusion, "ladies and germs," ) [Capt. to Psychol-O-Fire Chief: "Well..see...now you see, sir... your defectless Sirness... see, we ran out of water, (secret cooling subtext tHERE) so we used gasoline ...getme Chief?...? Don't I??" [SnapCracklePop-flames kneejerk roar ROAR roar ROAR roar D a d a d a d d ah d d ahhh] {read: The Crowd is the un truth. Psychol-O-Fires are about individuals. And at best the, ah, efforts, are anti-American. [-|cf. U.S. Constitution, Bill of Rights, -French- Declaration of The Rights of Man, Voltaire's Enlightenment, Dadadada|-]}]) for I am The Mallarm~{i-~}梐gnerian-Frege Self 5734836272 called: PERubuREP{|b|}buPERubuREP{|b|}ubuPERubuREP{|b|}ubu What...even snail of Big Brother watching -- Or, well...? [cf. Ginsburg,s Kaddish also: Benny Good Man's "Are You Jewish? (I was told to ask...I know -- I do -- know that...any FOOL:::____ > -CaSeTh-.)."]. --Pi Krappen Sigma (Not-si-S[c]UM) Besides also too not non-plussed-standing: Benny's a very good historian, among many other, truly fine, things. "Well [the People aren't] gonna tell me [they] don't love'em." --W.C. Fields San Francisco Booster Do.Ted.U 1 San Francisco Booster Do.Ted.U 2 San Francisco Booster Do.Ted.U 3 San Francisco Booster Do.Ted.U 4 San Francisco Booster Do.Ted.U 5 San Francisco Booster Do.Ted.U 6 San Francisco Booster Do.Ted.U 7 San Francisco Booster Do.Ted.U 8 San Francisco Booster Do.Ted.U 9 San Francisco Booster Do.Ted.U 10 San Francisco Booster Do.Ted.U 11 San Francisco Booster Do.Ted.U 12 San Francisco Booster Do.Ted.U 14 San Francisco Booster Do.Ted.U 15 San Francisco Booster Do.Ted.U 16 San Francisco Booster Do.Ted.U 17 San Francisco Booster Do.Ted.U 18 San Francisco Booster Do.Ted.U [19]20 I'll staighten-out this penetrating portfolio panoply, relax [redux 02/01/03, Kaff!]. An N-FOLA PRODUCTION 2 of/or 2 "My name is [Per Ubu], how do you Dodo ~~ Dada ~~ Baba?" ~~ 3 x 103<-- causefor back-R =~~ .667 of ~~GMOHereGel, LOOK! at this site right[] ...(gh)HAARr/(!) (w/straight arm incongruent wrist tic) raIgHhTt (gh)HAARr/(!) Now, I say to you that this is something worth one hundred thousand Aida s -- No-/->!! (Capt. Kirk over-the-top where no actor has ever gone before:)--> nolookaway!! --not look-quistion-at-me only ansvwer-qvuestioon-look-at-me --...: LOOK AWAY(-)y {the silence of the (~~tih~~...[!...]...)...}/!/ from me NOW-- I'm HIDeous!! But THIS... CabVoltas Weeps with characteristic self LESS=JOY=YOU=MUSS=UN=NER=STAN=ME-->>> and ? you ? KNOW IT!!!! I must think. I cannot dans, I have just dansed; and don't you EVER!!....// call them tattoos!! Those... are SKIN!|!|`~~!!!!// - - - - illussssssss TRAYshshshhhhh...shunnnnn!!!!...>> ::--> {!!!!} --> "+ i +" |
\|=\|=\|=\|=\|= L Frank Baum - Ozma Of Oz - Chapter 0 ... Welcome To The World of Free Plain Vanilla Electronic Texts**... L. FRANK BAUM. ... This Online Literature Library is sponsored by Knowledge Matters Ltd Last updated ... Linque-O-matique-LFB-01 Online Books FAQ of 6/1/93 (added a link on Jan. 26, 1995) ... this is a distributed effort, and all texts are placed ... stable BBS with significant amounts of text online, please let ... L Frank Baum: The Marvelous Land of Oz... LFB-02 Google Directory - Arts > Literature > Children's Literature > ... ... Selfknowledge.com: L. Frank Baum - extra / supl. Texts of several books. ... Read it online, page by page... LFB-03 Online Reading - Short Stories, Novellas & Novels - page 2 of 4 ... Online Reading & E-Texts Guide picks. ... King Arthur A guide to a variety of texts and editions featuring ... Magic of Oz By L. Frank Baum, available in plain text, ZIP ... LFB-04 PHONE-SOFT INTERNET DIRECTORY INTERNATIONAL:BAUM, L. FRANK ... Read it online, page by page. ... Scarecrow of Oz - HTML version; Synopses and On-Line Texts for L. Frank Baum's OZ Series - The synopses and on-line texts for ... LFB-04 Open Directory - Arts: Literature: Children's Literature: Authors ... ... Online Literature Library: L. Frank Baum - E-texts of 14 of the "Wizard of Oz" series. Ozma of Oz - HTML version, page by page format... LFB-05 L. Frank Baum - eBook Titles - Software Technology ... L. Frank Baum. ... eBooks set you free to study and search texts with powerful ... eBooks are ordered online, and delivered electronically (either as downloads or email ... LFB-06 SearchUK helps you find it FAST ... Online Literature Library: L. Frank Baum - E-texts of 14 of the "Wizard of Oz" series. Ozma of Oz - Etext at Project Gutenberg... LFB-07 I (x==this is ass[of]u[&]me-d, natch) [x] you will report bad links. Mea culpa. X-files character pathetique nasal whine: "...after all, I'm only a human being." WB.MSTR Comments welcome. Unless they involve or include the "'O' word": (organ-eyes!) of these bends: "Wyncha knock-off and otherwise lose the homonymous associative barmecidal coruscation, kinna..." That "is something of which we shall not put." "--BAD! Bad-huffy WB.MSTR! Go stand inna aquarium, wyncha?"] *************************************************** The Word of the Day for November 8 is: Barmecidal \bar-muh-SYE-dul\ (adjective) : providing only the illusion of abundance Example sentence: The cast of the movie is replete with big-name actors, but the feast proves to be a Barmecidal one because the performances are so uninspired. Did you know? "Barmecide" is the name of a family of princes in a tale from _The Thousand and One Nights_ (also known as _The Arabian Nights' Entertainment_). One prince in the family torments a beggar by inviting him to a fabulous feast, at which all the dishes are imaginary. The poor man plays along with his malicious host, pretending to get drunk on the imaginary wine; he then gets even by knocking down the patronizing royal. *************************************************** Get an inside look at our editorial department by subscribing to Merriam-Webster Unabridged! http://www.Merriam-WebsterUnabridged.com *************************************************** Who loves ya? Yo!-Yo, Baby! Telly-mann! \|=\|=\|=\|=\|= Word of the Day for Monday August 26, 2002: pelf \PELF\, noun: Money; riches; gain; -- generally conveying the idea of something ill-gotten. . .. a master manipulator who will twist and dodge around the clock to keep the privileges of power and pelf. --Nick Cohen, "Without prejudice," [1]The Observer, February 20, 2000 She writes about those she might have known first-hand: teenage girls cowering in bunkers ... friends making promises they can never keep... rich folk fattened on wartime pelf, poor folk surviving by wit alone. --Harriet P. Gross, "Author roots her stories in Vietnam War," [2]Dallas Morning News, July 20, 1997 As so often happens, pelf is talking louder than principle at the Colorado legislature. --"Legislature Goes Belly Up," [3]Denver Rocky Mountain News, April 27, 1997 In advertising, show business, and journalism, people work themselves to the nub for glitz and glory more than for pelf. --Ford S. Worthy, "You're Probably Working Too Hard," [4]Fortune, April 27, 1987 Some of the rich classmates were keeping their pelf to themselves. --Nicholas von Hoffman, "The Class of '43 Is Puzzled," [5]The Atlantic, October 1968 I ain't got no pelf. --Standard future Iceberg Slim wannabe... [6] On Summer Ave., et alia, et alia, etcetera, etcetera... (cf. James, Not-so Pat) Memphis, TN, January--August 2002 _________________________________________________________ Pelf comes from Old French pelfre, "booty, stolen goods." It is related to pilfer. Word of the Day for Saturday October 26, 2002 palimpsest \PAL-imp-sest\, noun: 1. A manuscript, usually of papyrus or parchment, on which more than one text has been written with the earlier writing incompletely erased and still visible. 2. An object or place whose older layers or aspects are apparent beneath its surface. The manuscript is a palimpsest consisting of vellum leaves from which the "fluent and assured script" of the original Archimedes text and 55 diagrams had been washed or scraped off so that the surface could be used for new writings. --Roger Highfield, "Eureka! Archimedes text is to be sold at auction," [1]Daily Telegraph, October 3, 1998 Each is a palimpsest, one improvisation partly burying another but leaving hints of it behind. --Robert Hughes, "Delight for Its Own Sake," [2]Time, January 22, 1996 It's a mysterious many-layered palimpsest of a metropolis where generations of natives and visitors have left their mark, from Boadicea and the Romans, through the Middle Ages and the Elizabethan era to the present. --Philip French, "Jack the knife," [3]The Observer, February 10, 2002 I ain't got no pelfic palimpsest... --Standard future Iceberg Slim wannabe... [6] On Summer Ave., et alia, et alia, etcetera, etcetera... (cf. James, Not-so Pat, Gloria Def. Of Bluff City) Memphis, TN, January--October 2002 _________________________________________________________ Palimpsest is from Latin palimpsestus, from Greek palimpsestos, "scraped or rubbed again," from palin, "again" + psen, "to rub (away)." Word of the Day for Wednesday November 6, 2002 circumambient \sur-kuhm-AM-bee-uhnt\, adjective: Surrounding; being on all sides; encompassing. The self owes its form and perhaps its very existence to the circumambient social order. --Rom Harre, Personal Being: A Theory for Individual Psychology Facing reality, then, implies accepting one's essential powerlessness, yielding or adjusting to circumambient forces, taking solace in some local pattern or order that one has created and to which one has become habituated. --Yi-Fu Tuan, [1]Escapism It's a voice that does something physical to me, that jumps out of the circumambient air and seizes hold of me like a thing that lives off the blood of other things. --T.C. Boyle, [2]A Friend of the Earth Romantic love... rarefies lust into an angelic standoff, a fruitless longing without which our energizing circumambient dreamland of song, film and fiction would be bereft of its main topic. --John Updike, "The Deadly Sins/Lust," [3]New York Times, June 20, 1993 I ain't got no pelfic palimpsest O' John Uh...Dike's bullshee manusrih'...but my man(g) Yi-Fu Tuan gettin down on dat circumambient f_____' bullshee in dhis "decaying river town*"! *Time Magazine, 1968, re. assassination of a rare Ghandi kin- drid; and Harvard University Ph.D. --Standard future Coldberg Slim (not Jewish, Bonoku) reappraising his values... [6] On Summer Ave., et alia, et alia, etcetera, etcetera... (cf. James, Not-so Pat, Gloria Def. Of Bluff City) Memphis, TN, January--November 2002 _________________________________________________________ Circumambient is from Latin circum, "around, round about, on all sides" + ambire, "to go around, to surround," from amb-, "on both sides, around" + ire, "to go." Word of the Day for Monday November 11, 2002 nugatory \NOO-guh-tor-ee; NYOO-\, adjective: 1. Trifling; insignificant; inconsequential. 2. Having no force; inoperative; ineffectual. Tygiel's forte as a historian is his eye for what may appear nugatory or marginal but, when focused upon, illuminates the temper of a given moment. --Roberto Gonzlez Echevarria, "From Ruth to Rotisserie," [1]New York Times, July 2, 2000 Jacoby's offense was no offense -- or an error so nugatory as to demand no more than a one-sentence explanation. --Lance Morrow, "In Boston, a Foolish Consistency of Little Minds," [2]Time, July 19, 2000 Socialism no longer restrains; trade unions do so much less than they did; moral inhibitions over the acquisition and display of wealth are nugatory. --John Lloyd, "If not socialism, what will persuade the rich willingly to pay more taxes to help the poor and preserve a decent society?" [3]New Statesman, August 2, 1996 I ain't got no pelfic palimpsest O' John Uh...Dike's bullshee manusrih'...but my man(g) Yi-Fu Tuan gettin down on dat circumambient f_____' bullshee in dhis "decaying river town*;" nugatory, uhh-O'-foe-gedd-boud nugatory! *Time Magazine, 1968, re. assassination of a rare Ghandi kin- drid; and Harvard University Ph.D. [6] Yadda, yadda, yadda...2002 _________________________________________________________ Nugatory comes from Latin nugatorius, from nugari, "to trifle," from nugae, "jests, trifles." Sympathetic site regarding antisemitism sub rosa nexus between L.R. Rogue (with witness as forthcoming and bright as the dawn) and Church's recent acceptance of canards: J'Accuse...! -- "There is always one more son of a bitch than you counted on." |
The cool world was born between 1947 and 1949 in a basement room at 14 West 55th Street in midtown Manhattan. A cavern of exposed heating pipes and few furnishings, where the only amenities were a sink, a bed, a piano, a gramophone and a hot plate, it was reached through a Chinese laundry. It is hard to imagine what the first residents of the adjacent Rockefeller Apartments, a pioneering exercise in bright, bland international style, made of their neighbour Gil Evans, or of the hours and the company he kept during those years in the unlovely premises that have come to be regarded as the bateau lavoir of modern music. It was there, next door to Jules the barber and across the street from the solemn brownstone Fifth Avenue Presbyterian Church, that jazz changed its course. West 55th Street was where introspection and understatement entered the jazz equation, diverting the music from mere entertainment into a more self-conscious role; where new and subtle ways were found to express emotional intensity. In Evans抯 basement, a kind of music formerly stereotyped in the public mind as hot and hectic was purposefully cooled down and slowed down. In the process it became a matter of intellectual and, for some, spiritual inquiry. Ideas emanated from Evans抯 lair which altered not only jazz and associated genres of popular music but much else besides. Two of the idiom抯 most successful groups, the Modern Jazz Quartet and Gerry Mulligan抯 pianoless quartet, which launched the career of Chet Baker, were formed (in 1951 and 1952 respectively) as an indirect result of the discussions that took place in Evans抯 apartment. The two great monuments of late modern jazz, Miles Davis抯 Kind of Blue (1959) and John Coltrane抯 A Love Supreme (1964), represented a more highly evolved response to the same source of inspiration, their very disparity demonstrating the breadth of possibilities that had been revealed. The crystalline hush of Kind of Blue in turn engendered a new wave of meditative music-making (whose furthest and faintest ripples became known as New Age), while Coltrane, rejecting understatement and ellipsis, imbued A Love Supreme with passionate expression, specifically directed towards the attainment of bliss. Between them, these two recordings influenced not only would-be imitators but countless musicians working in related fields, including the improvising pianist Keith Jarrett, the rock guitarist Carlos Santana, and the generation of young American composers led by Terry Riley and Philip Glass. [Glass: The Fall of the House of Usher opera, SPECIAL INTEREST ITEM AT11 --WB.MSTR] When he moved into West 55th Street, Evans was an unknown arranger for the kind of big bands which, for the previous fifteen years, had provided the era抯 dance music. He had come from California, where his early career as a bandleader had not been a success. Devoted to music, and rigorous in his study and preparation, he was completely uninterested in and unskilled at the art of self-promotion. When he arrived in New York, at the end of the war, it was to rejoin Claude Thornhill抯 orchestra, an ensemble which ?due to its leader抯 fondness for adding French horns and extra woodwind to the trumpets, trombones and saxophones of the conventional jazz-tinged swing band ? languished in popularity some way behind the big bands of Benny Goodman and Artie Shaw. To Evans, however, his employer抯 taste for experiment afforded a tonal palette so rich and flexible that it enabled him to combine his admiration of Duke Ellington and Louis Armstrong with an enthusiasm for the early twentieth-century European impressionism of Ravel, Faur?and de Falla. Under attack from post-war recession and from the distant pre-echoes of rock and roll, the era of the big bands was already drawing to a close. Evans instinctively immersed himself in the sounds of the bebop revolution, whose headquarters were not far from his own, on a strip of West 52nd Street lying between Fifth and Seventh Avenues. Clubs such as the Famous Door, the Three Deuces and the Onyx attracted excited audiences for the stars of the new music. Some of those stars, notably Charlie Parker and the young Miles Davis, became accustomed to using Evans抯 apartment as a crash pad. For Davis and others it was chiefly an informal salon, somewhere in which, day and night, they could join a conversation about the future of music; to Parker it was also a convenient place to store the paraphernalia of heroin addiction. Heroin is the subject of one of the most striking passages in Birth of the Cool, Lewis MacAdams抯 brisk, superficial but generally well- informed survey of American beatnik culture. Reinvented, named and marketed as a cough elixir by the pharmaceutical company Bayer, the raw drug had been imported to America and freely prescribed for twenty years before its addictive properties were identified, around the time the First World War ended. The pioneering racketeer Arnold Rothstein promptly and enthusiastically took over its criminalized distribution, to be succeeded after his assassination in 1928 by Lucky Luciano. By the time Luciano was deported to Sicily in the late 1930s, heroin was becoming an epidemic among jazz musicians. To all but a small minority of the practitioners of bebop, its use was a symbol of their disengagement from the 搒traight world?and, in the case of black musicians, a shield against racism; the history of jazz between 1945 and 1965 is a virtual graveyard of its victims. Evans rejected it (though he was a lifelong marijuana smoker, and experimented with psychotropic drugs), but the careers of Davis and Coltrane were to some extent shaped by their addiction, as well as by their efforts to free themselves from its grip. The jazz musician as heroin consumer has been thoroughly explored in such autobiographical works as Art Pepper抯 Straight Life and Hampton Hawes抯 Raise Up Off Me , and John Szwed, in his excellent biography of Davis, provides a perceptive quotation from a friend of Parker抯: 揃ird says it抯 like a loan. You consolidate all your loans into one payment; that抯 a junkie. All of life抯 problems are one problem.?Yet one would like to know much more about the ways in which the heroin industry targeted and serviced the jazz world, not least because it might tell us something about the roots of a business which has since expanded into less exotic territories. 揅ool as we know it was made in New York? MacAdams writes, and his book takes its title from the long-playing record that presented the 1948 and 1949 recordings made by a nine-piece band featuring Evans, Davis, Mulligan, the pianist John Lewis (guiding spirit of the Modern Jazz Quartet), the alto saxophonist Lee Konitz, the drummer Max Roach, and others. Billed, during its short run at the Royal Roost, a Broadway club, as the Miles Davis Band, the nonet was the first to feature the names of its arrangers alongside that of its leader, and it was the writing rather than the improvising that provided the ensemble with its uniqueness. A scaled-down version of the Thornhill orchestra, featuring French horn and tuba alongside trumpet, trombone and saxophone, the band rejected the angular contours, harsh sonorities and staccato rush of early bebop in favour of a more transparent sound, within which vibrato-less individual voices moved, with seeming independence, across almost weightless rhythms. To attuned listeners, it was like seeing a streamlined car for the first time: overnight, everything else (except Charlie Parker) was yesterday抯 sound. Although Evans supplied only a couple of arrangements to the band抯 repertoire of a dozen pieces, he was without question its presiding spirit. Already in his mid-thirties, he was at least ten years older than most of his colleagues, but his inquiring, enthusiastic attitudes effectively rendered him hors 鈍e . He and George Russell, a drummer-turned-composer, were the chief theoreticians of 14 West 55th Street. Both men were looking for a way past the formal restrictions of the thirty-two-bar Broadway song and the twelve-bar blues. Russell, already in the process of formulating something he was to call the Lydian Chromatic Concept of Tonal Organisation, came up with the idea of using scales rather than chords to liberate improvisers from the harmonic prison, but it was Evans whose freewheeling imagination produced the notion of setting the music free from its temporal constraints. Even when he was writing charts for Thornhill抯 musicians to play in dance halls and casino ballrooms, Evans抯 music always conveyed a slightly eerie impression of timelessness. Where other arrangers made trumpets shout and drums kick, he persuaded them to float. In his hands, the sections of an orchestra resembled a series of gauzy panels drifting across each other, softly backlit, creating levels of density and luminosity that constantly shifted. Even with a couple of dozen musicians at his disposal, he could create the asymmetrical flow and flexibility that characterized small-group bebop, an idiom which aimed to create a surprise in every bar. It is little wonder that Miles Davis, who aspired to something beyond orthodoxy, was attracted to what became the defining partnership of his career, a meeting of contrasting temperaments but matching sensibilities. Together they would listen to classical music on Evans抯 gramophone, or walk over to the Juilliard Conservatory ?from which Davis had already dropped out ?to sit through rehearsals for a concert of Hindemith or Stravinsky. Get a free trial issue of the TLS [logo top of article] +-+-+ Also in this Weeks TLS: Accidental wife +-+-+ The executioner抯 song +-+-+ Complete with errors In "A Careless Clinic" Alban Berg's Wozzek, now at the Royal Opera House, is inflicted (Lulu periferally) however briefly, by a superficial though frightening test dummy collision with Verdi's Simon Boccanegra. Inasmuch as composers as a group (both vehicles are in fact at the intersection, no argument) erect their musical structures in macros containing already orchestration, it's inside the packages of pitch-sonority-rythym-tempo abstractions, per se, a natural feature rather than a self-conscious after design -- worrying the material and ending, finally, only after scratching notes from brass players and slidding them cleverly to under table woodwind, ending in caesural daily bread. The design, rather, assembles from whole pieces. Berg and Verdi, nevertheless, in the article are dragged into yet another reappearance of line by line-up, though surely both are, in this light, stooges in this scrawny precinct. Slim pickings are the best the D.A. can expect. Nevertheless, both do possess similar external and behavioral features. That is not an issue, not in any code, and the two stand-ins may even, to give the author some sort point even if made from this thread-bare whole cloth, are more than usually intent upon (in truth, taking very fussy measures to insure) -- perhaps, all things taken together by us as well, forcing themselves and suspiciously face to face with an integral track-covering tell, subject to jostling, a dread diurnal dealing in entireties -- however, very certainly joyously marked, in Berg's profile. With his highly detailed written instructions -- a "gestalting" compositional method climbs with profusion, with disclosure and intimacy, like a videocam man recursively filmed, along on a tourist group performing a mountain climb. Elevations designed by, for, with, to some high art benefit penultimately, I imagine the resignation, to take us all to the top. I want to play too. Variance in the views? The proposed proved by virtue of the proposition? Or a hooded, unknown, artistic cause? Funny name, Berg: something huge below the surface. An unacceptable other, unplanned part of the journey, some kind of excision distancing body from sea. This is a postcard from the edge? Particulars of imperative stage action and appearance, here again, all alive in the moment of conception, OK, OK, I got it. Verdi puts his notes down well, with the same model of mechanistics as Berg's mists, but Berg's hands are haunted in overdoing, part and parcel rears again, unreasoning hands. These stretches bother me like a contract I can't really make out parts of, until later when it's too late. The author of the article's hands, however, neglect to shape or stick their necks above teir cuffs. They grip nothing like any sharp rock edge. In failing to come clean with more than a quick connoting of his thesis by association (yes, we stipulate admirable fastidiousness of Berg and Verdi) it is not the beginning of a verdict. I have apparently dozed during that key point. In the large performance, whenever it occurs, Berg's intimate secrets exposue us too, and place us oddly out of character within unkindly familiar landscapes -- and no grounding at all. Impossibly, he makes sculptures of fire and ice in the middle of a room. They present evidences that force unwitting gasps from within this suddenly constant courtroom, fey and invisibly pounding gavel away from, free from any judges grasp -- there is some thing, some murder... An off-mood or mode never heard, a disturbing glance by the prosecutor at an off-putting moment of mystery. It flashes from a drunken horn -- and in an opera house! Metalwork wordsmith...it intones human and inhuman arabesques that slide, with just right lighting and stage direction. They do also come from some whole inside us, oracles inside our own character; or our lack of it at some turn. This is suspicious behavior. What is it to be known, and how? I refuse to be libeled "like this"! My associates are here! A good read after all, was I wrong, tricked? But with Verdi I can plead no contest. It's a relief. Most times I don't have to show up. He and I are both innocent. What's wrong with that? No indictment of his entertaining, pretty, dress-up, fastidious bookeeping. What's wrong with Verdi's perfectionism? No lie, hands down Grand Opera? Grandly: "Not guilty". [Draft 3 of 900. Hodge-podge of sophomoric metaphor-mixing. Verdi, I mean.] W.D. Brindle <--/] Wallace Darwen Brindle, you are subscribed toE-mail updates from the Royal Opera House E-mail Updates. If you would like to be kept up to date with latest production information and booking details, then subscribe here [X]) for regular E-mail Updates. You can also subscribe to a Special Offers and Promotions Bulletin [X]), which will be sent to you whenever there is a special offer available for selected productions at the Royal Opera House. |
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This Mulhollandesque, 315 Page, ranch site is in perpetuity dedicated in toto to: Debora Patrick ["RemRamp"]; of Murphy, North Carolina, USA. Extreme Western N.C. investors please mark: This Vision could play part of my Chad Deleroix's wife [...feller say...I would like, another voice sample though... anything... anyone... a little bit of Six Characters in Search of an Author, wyncha? Try the all new & grand-tech Thunderbolt Recording Studios, Summer Ave. near Atlantic, Memphis, if that would please you to do; "...if you like to do that." (Per Brevig, Der Kaupf-Zusammen Posaunen Spielermann [synthetic verisimiltudinal German], Met. Op. Orch. last time's eye looked at the Drooqooxooll parchment inside her pocket with two vapor-trail-in-clouds martini.(sorry, ~~lost it~~ "Inna serveth")...] ~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==
D A W N E A R
-- a-real-e-li-verb-oat-poem
"they gotta lotta nice girls..."
--ZZ Top
Lillian Toupal:
I am going to help you Li'l. Ain't no mo mad@cha;
'Tis to dime for inna, erra, infinite nut shelling space.
What!? Even smell of Max Schnelling? [cf. Allan G.'s Kaddish]
I hold in my hand the past envelope: Dat ah key, because, ah...you know?
Jim, al long last, palser walser!!
on 02/01/03
We are thoughtful, is it not? like, I'm too shrrr...!
Record # 3
Add to your selected list
Title : The quality of mercy : Cambodia, Holocaust,
and modern conscience
Author : Shawcross, William.
[Memphis PubLib&InfoCntr] Call Number : 959.604 S537q
Publisher : New York : Simon and Schuster, c1984.
&
Achiles in Vietnam
Combat Trauma and the Undoing of Character
Jonathan Shay, M.D., Ph.D.
1994 - Atheneum - New York
&
Shook Over Hell
Post-Traumatic Stress, Vietnam, and the Civil War
Eric T. Dean, Jr.
1997 - Harvard University Press - Cambridge and London
So dohnnwhorry, dohn wo-hrrr-ee ee cause, -- Lillian baby --
Cousin -- I'm write hear write hear write hear writehearathome.
It's all good, Realtor@ in a trance --
One day had me ohvda swimming hole to axe^*^
[Never, ever, ever, ever say "aks" for ask my very fine,
Proud, attractive, gentle, good and noble friends in
The who'd... it upset me baby...; treat me the way
You wanna do -- but doghnomo' say axe-ing for asking.
'Cause I know dats right (respectfully...) Thanks!
And you'll thank me too!; my good Democratic comrades against
Lindbaugh Slessinger crazy people run through my room
like Burroughs' hall'oozin'oboes with 1910 meat clevers, "disgust
you to see it."]
{...to axe} ^*^me to prop you up, even your SIG Other say so, Imess
Spossa. The first Mensa mention day, member?
I shall heal you. Though..."Uno, bird (blop!)"...marine come anyway.
Blacks and Lillian -- one does not defeat an enemy by joining that enemy.
Dat juss make Moe enmity.
Lair he; curl he. He be straight.
Unlike those repulsive lacihte<-- iatrogenic fear-ads on 600 AM WREC
Staggers to tidy bowl
Dawnear blooming Belladonna Henbane Mandrake Wisconsin_Beer_Bar_Banality
Bradley_The_Buyer Broad-wITHbADbROTHER-FUNNY PROBLEM HERE STRIPPER, SIR.
"[Leave the] handle [just where you found it, please] inside, SIR..."
"~~Oh, [wear a bikini at that pool] they couldn't handle it...~~"
Even Doctor Dean gone done doin' it one day I was layin' down at
The crossroads...blieve I go back to my ShowFirBluffCity upper
Russian 1950's PR M.O. avoid all butt 5% crust.
Real Citizens Read Reality News
Channel daze. Crummy deal...(dust kick)...
-- The Memphis 7-Stringer [near Blue Moon,
Big Jimmie's Binghampton's Lounge,
[Beachboy's & D. Wilson
(w/falsetto top)
"Walk on back from {Tillman} Curve(!)" ~~(synth.car.horn sonority = tritone under Aug. 8ve)] and
Memphis Symphony Orchestra office 18 July 2002
[...get those tymps over to stage right, nummbies...]
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535353535353535353535353535353535353535353535353535353535353535353535353535353535353535~~~~>Wallace D. Brindle is available for salon readings of his work. If you wish, you may arrange a performance, of approximatly one hour, during which the poet accompanies himself on futon-e-lecturfied 6-string guitar [the 7-string delivered soon, we do hope; from the excellent Gibson guildsmen and women] and pre-recorded chance-chrono-operating Memphis Aurianna -- including human speaking, WREC radio ads (inhuman speaking), processed food music, various Memphis RSVP/ "Elite" Memphis semper fine society-publication-intensive pizza kitchen sounds concr閠e, and other available stage values. At present, this uniquely gifted ur-neo-der-ivative matrix-media artist is not accepting any but Greater Memphis Area engagements, regretfully. An honorarium of $1,000.00, in advance, is greatly anticipated. If your salon agenda or not-a-genda would include Mr. Brindle walking about and relating to your attendees, the honorarium suggested could secret at $365.24 -- but this latter must needs be held to a limited number of events per week. {DAM Darwen Artists' Management}
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~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.== It's a big big big big big mistake to try, at this point, to sell me on the idea that you swing a bigger bigger bigger communications/writing/rhetoric/semiotics/hermeneutics bat than do I. Also, N.B. (it means Note Well -- that is, Nota Bene): To paraphrase William S. Burroughs in his novel, The Place of Dead Roads^3*^ (regarding I seek to MAKE money; not help YOU take money) ^3*^'Have you ever seen the Rubes' [read here: Rubes = your delusions about Wallace Darwen Brindle, he of http://Esquire.GQ.nu] 'take a carnival appart, after they have wised-up?' Well, you have now. Really really. Go bye-bye. Try to become part of the Solution -- also pursuant to that, see Arthur Miller's new play -- Sunday NYT Arts and Leisure Section (performances at the Twin Cities' Guthrie Theatre currently). You are in an extremely murky ethical tide; and it's going out. 'No glot, clom Fliday.' Wallace dbThis e-mail has been sent from Alfa Recruiting (alfarecruiting.com) directly to an active job candidate in response to a favorable review of the job candidate's resume. If you are no longer seeking employment, have found a job, are not interested in being contacted by us now or in the future, please take the time time to reply to this message with the word REMOVE in the subject field of the e-mail. We apologize if this mistake was in any way sent. [mutatis mutandis courtesy of W-ed-B.] ~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==
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"Yo Now! Wo Now! Hey New York 99! How'm I DOIN??" --Wed Watch
brindle@gmx.net
Big noodle now. Will say tang ril gutt tomorrow for
says.que?ped.alian words today. I say I so Seek Sanity
City in New England or New Orleans or Springfield "or China" wyncha.
Autumn Plaint
Since Maria left me to go to another star - which one, Orion, Altair - or you green Venus? - I have always loved solitude. How many long days I have passed alone with my cat. By alone I mean without a material being, and my cat is a mystic companion, a spirit. I can say then that I have passed long days alone with my cat and alone with one of the last authors of the Roman decadence; for since the white creature is no more I have loved, uniquely and strangely, everything summed up in the word: fall. So, in the year, my favourite season is the last slow part of summer that just precedes autumn, and, in the day, the hour when I walk is when the sun hesitates before vanishing, with rays of yellow bronze over the grey walls, and rays of red copper over the tiles. Literature, also, from which my spirit asks voluptuousness, that will be the agonised poetry of Rome抯 last moments, so long as it does not breathe a breath of the reinvigorated stance of the Barbarians or stammer in childish Latin [...]. I was reading then one of those dear poems (whose flakes of rouge have more charm for me than young [Heidi Fleish]), and dipping a hand into the pure animal fur, when a street organ sounded languishingly and sadly under my window. It was playing in the great alley of poplars whose leaves, even in spring, seem mournful to me since Maria passed by them, on her last journey, lying among candles. The instrument of sadnesses, yes, certainly: the piano flashes, the violin gives off light from its torn fibres, but the street organ in memory抯 half-light made me dream despairingly. Now it murmured a delightfully common song that filled the faubourgs with joy, an old, banal tune: why did its words pierce my soul and make me cry, like any romantic ballad? I savoured it slowly and did not throw a coin through the window for fear of troubling my spirit and discovering that not only the instrument was playing.
|
* Sir William Jones The Sanskrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin and more exquisitely refined than either: yet bearing to both of them a stronger affinity, both in the roots of verbs, and in the forms of grammar, than could possibly have been produced by accident; so strong indeed, that no philosopher could examine them all without believing them to have sprung from some common source^*^ which perhaps no longer exists... * Forbes Magazine, (July, 1987) Sanskrit is the mother of all the European languages [please pardon Forbes' zeal, ^*^Indo-European jury field- trip theorists bus still not back...(-WedB)] and is the most suitable language for the computer software. There is at least one language, Sanskrit, which for the duration of almost 1000 years was a living spoken language with a considerable literature of its own. Besides works of literary value, there was a long philosophical and grammatical tradition that has continued to exist with undiminished vigor until the present century. Among the ccomplishments of the grammarians can be reckoned a method for paraphrasing Sanskrit in a manner that is identical not only in essence but in form with current work in Artificial Intelligence. * NASA Sanskrit, the world's oldest spiritual language is the only unambiguous spoken language on the planet. * Alain Danielou Sanskrit is constructed like geometry and follows a rigorous logic. It is theoretically possible to explain the meaning of the words according to the combined sense of the relative letters, syllables and roots. Sanskrit has no meanings by connotations and consequently does not age. Panini's language is in no way different from that of Hindu scholars conferring in Sanskrit today. Ancient Indians used the wealth of this great language and wrote many holy scriptures and dramas, which inspires modern world from time to time. All the modern regional languages of India are evolved from Sanskrit and still have the vast trace of it. Shakuntalum and Meghaduta, the works of Kalidasa exemplify the literary craftsmanship of this Sanskrit in Gupta period. http://www.historyofindia.com/sanskrit.html http://www.devyani.com/et/billion.htm brindle@gmx.net The Greek phrase is "enkuklios paideia", made up of enkuklios: cyclical, periodic, ordinary; and paideia: education, and meaning general education. Encyclopedia. The American Heritage Dictionary of the English Language, 4th ed. Houghton Mifflin, 2000. Hang on I'm "cogitating" on the Greek spellings, because Greek spellings are reliable, functional, and beautiful. // 7:26 hrs 28JAN02 // Hi! This is the qmail-send program at mx0.gmx.gov. This is a permanent error; I've given up. Sorry it didn't work out. $140.00 ?? bond not equity?? |
|
PSA
"Go be nice to people [Alexis--->42 times now!]." [--Lenny B.]
Some conversational links follow:
http://www.mondo-digital.com/fitzcarraldo.htmlWas KKM, like, the one in [Aldous Huxley's -right!-] Thomas de Qincey's English Confessions~~...[text is linked to this here]. Without any of my usual capacious, if not cogent, comments. SWIMPM Memphis M&M Seeks lady possessing grace, humor, narrative skill; characterized by little ("or less") chat room mystic- spells- special- infor- mation: if she knows how "they do" exceed the speed of light...(?)/->"NEXT!" |
|
Oh!, [I sit newly Walldorffheaded at The Sad
Cafe (CeeK Cafe?), all thoughty...coffee me agi'n Miss Schnalko...]: A few links that are Inn Keeping ...for those gentle visitors suffering po(æ)in~~t~~an(c)(t)s:
{1} future home of V.U. statistics and probability
1 http://www.tbns.net/vu/math_statis-proba.html
{2} The History of Mathematica
2 http://www.wolfram.com/company/history/
{3} Free Fun Function Futzing-"Integral-O-Matic";
no waiting!(rspctflly)
3 http://www.integrals.com/index.en.cgi
{4} Physical Sciences Information Gateway [selection
"Physics"; see menu, top.]
4 http://www.psigate.ac.uk/ROADS/subject-listing/physics/537.html
{5} interesting for Voltfreid-Bayreuth Study House
VU-ers concerned w/classroom
appearance/voice/expressive moves/motions.
5 http://www.avatara.com/docs/custom_avs.html
{6} classical language studies compendium
6 http://www.tlg.uci.edu/~~tlg/index/resources.html
{7} another; Ancient Greek-leaning (non-politic)
7 http://www.umass.edu/fclrc/greekancient.htm
{8} Chinese language (Characters; other Asian, see menu, left.)
8 http://goasia.about.com/cs/chineselanguages/index.htm
Old link (://zhongwen.com/) down a/o-12FEB02, you'll see
(again) in new list. [Feel better? good! Please, I...no-no-no:
~~merely a conduit~~...well,,,major cool-down-vent-your-pipeline, then;
(!)...no kidding...(!), cause I really had rachmunas ([Lenny B.],
((sp?) -Help me Yiddish scholars or grandmothers; or both in one person.)]
|
Webmasters: Take "charge" at your Web site. (-WDB[Vapor]) Below Are 3 Defensive Ploys |
|
|
Colt: "click"![]()
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Dear Wallace,
Earlier this year at the WWW2002 conference, there was a
surprisingly strong interest in ontologies--structured models
of known facts. Ontologies have come out of the research labs
and into common use for modeling complex information.
Our main feature this week is a survey of tools available for
editing ontologies. As part of his survey Michael Denny also
provides a great introduction to what ontologies are, how they
vary, and how they are constructed.
"Ontology Building: A Survey of Editing Tools" can be found at
http://www.xml.com/pub/a/2002/11/06/ontologies.html
Following up on our recent look at Digital Talking Books, Alan
Kotok reports this week on U.S. legislative proposals to implement
an electronic standard for learning materials: such a standard,
likely to be XML-based, could radically improve the lot of
visually impaired children at school.
Read "Standards for Electronic Instructional Materials" at
http://www.xml.com/pub/a/2002/11/06/imaa.html
Finally this week, we have the November edition of Bob DuCharme's
"Transforming XML" column. In this installment, Bob digs into
using
St. Trophine at Arles
[mediaeval.art.link.2 for the last
third of Canto 45 - "With Usura"
(ie, usury)]. The highest
achievements in poetry, they are
Ezra Pounds'...? Or not? (-WedB)
Ezra Pound, Canto XLV, [last third]
[...]
Not by Usura St Trophine
Not by Usura Saint Hilare,
Usura rusteth the chisel
It rusteth the craft and the craftsman
It gnaweth the thread in the loom
None learneth to weave gold in her pattern;
Azure hath a cancker by Usura; cramoisi is unbroidered
Emerald finding no Memling
Usura slayeth the child in the womb
It stayeth the young man's courting
It hath brought palsey to bed, lyeth
between the young bride and her bridegroom
CONTRA NATURAM
They have brought whores for Eleusis
Corpses set to banquet
at behest of usura.
[=]=[=]=[=]=[=]=[=]=[=]=[=]
|=("read a book somewhere" [L. Alfred Schneider B.] --
~~down a windy street [W.S.B.]--
|
==========================================
*** Featured Articles ***
Standards For Electronic Instructional Materials
A bill proposed to the U.S. Congress seeks to create an electronic
standard for instruction materials that will help visually
disabled schoolchildren.
http://xml.com/pub/a/2002/11/06/imaa.html
***
Ontology Building: A Survey of Editing Tools
Ontologies, structured depictions or models of known facts, are
being built today to make a number of applications more capable
of handling complex and disparate information. Michael Denny
surveys the tools available for creating and editing ontologies.
http://xml.com/pub/a/2002/11/06/ontologies.html
***
Automatic Numbering, Part 1
In this month's Transforming XML column Bob Ducharme explains
the use of xsl:number in handling numbers in XSLT stylesheets.
http://xml.com/pub/a/2002/11/06/tr.html
***
==========================================
XML Conference and Exposition 2002
December 9-13, 2002, Baltimore, Maryland
See the latest XML technologies, applications and services
More than 100 sessions from experts around the globe, 30
in-depth tutorials, world's largest XML vendor exposition
FREE expo pass, register by Nov.22! http://www.xmlconference.org
==========================================
*** XML News Headlines from The XML Cover Pages by Robin Cover ***
IEEE Computer Special Issue on Web Services Computing
PKI Forum Continues Security Advocacy as an OASIS PKI
Member Section
UK e-GIF Publishes XML Schemas For Use in Local Elections
OASIS Technical Committee for Open Office XML File Format
IETF Charters Extensible Messaging and Presence Protocol
(XMPP) Working Group
For more information on any of these stories visit:
http://www.xml.com/pub/a/coverpage/newspage.html
==========================================
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**Free Downloads** Sanskrit & Other Indian & Classical
Languages Text Ed. & Word Processing Utilities
also, perhaps...mmm...maybe you will want to
open a good can of Edinburgh Beer from 1974
fringe group orchestra days (with the attractive
see also: models.pro.beercan.female) and note this
just in a/o 08/30/02: TJI-AGF-01 http://www.hprc.utoronto.ca/~~brucerob/Greek/ I have Baraha 4.0 and it is a marvel! That, along with the [A] Antioch Greek and Hebrew (and Coptic) plug-in I downloaded previously for Word 97, completes a search of some length re. good [B] Latin, Greek, and Sanskrit interactive capabilities for VU studies, clubs, SIGs "right here!". Past middle page of link "D" find Baraha 4.0 (only down-load with "Sanskrit" in description). If you click around these excellent sites, you will also find all the Celtic-English utilities, (incl. dictionaries) you may want of, say, in New Orleans... [C] see also, Classics at Oxford, software [D] http://www.ucl.ac.uk/~~ucgadkw/indnet-software.html [E] http://www.cdacindia.com/html/down/mling.asp (-WB.MSTR [VU]) Please find below some of the recherche ins and outs of the Amazing "12 Grand" belt of Joking Joe King. Also, to Harold Daniels, The Wise. """Who loves ya baby?..""" [FYI: Harold's reply was: "Telly Sevallas."] |
cvg7cvg7cvg70,000cvg7cvg7cvg7cvg70,000cvg7cvg7
Programming Java, C++ or Fortran 77
all day today? If yes, I would be
interested in hearing from gurus,
savants, and "keep-failing-betters"
like me, on who* these days is doing
any theor-etical work on NP-complete-
ness (or have already settled that hash)
v. the question: can algorithms model
the economic markets' "influences /
functionalities" (sic) dissembling-
esque data deluge and fore-cast buy
and sell signals with reliability,
relative to head scratching. Asking:
hello: I ask only: *_who_* is. Also
if anyone is/has -- where are they
to be found? This all re fundamentals;
not so much "technical" analysis.
("Programming -is- under-standing."
"Is" is light & color...? Bravo!)
Verbal Synesthesia rocks; not Cleve-
land. Rimbaud knew, Yes? -Dude!
Memphis rocks, we know this already.
Only a Rimbaudian Voyant can claim a
place in the circle of the commod-
ities Maesterguilder Traders Voyant! (MTV)
[Personal clue or pea smoke and mirrors?]
|
ALL FOR YOU...Right Here! -CabVolt William Burroughs, El Hombre Invisible, A Portrait, by Barry Miles; Hyperion 1993 New York This is certainly the version given by Terry Southern, who was living in Paris at the time. The café most frequented by the Beats was The Café Saint-Germain des Pres, opposite the Flore. One winter morning, Mason Hoffenberg (with whom Southern co-authored Candy) and Southern were having their customary grande tasse, when Gregory Corso arrived at their table. He plopped a manuscript down and said in his usual coarse manner, "Now dig this...." It turned out that the ms. was, of all things, Naked Lunch. It seems that Burroughs had given it to Allen Ginsberg and he had given it to Gregory. Mason and I set out to con- vince Gid [Maurice Girodias, owner of Olympia Press -WedB] that it was worthy of his distinguished imprimatur. His first response was to leaf through it impatiently. "There is no f____ng in the book," he said. "No sex at all in the book." We pointed out something on page seventeen. "Ah, yes!" he said triumphantly. All the way to page seventeen! And still it's only a __o_ _ob!" He got up from his desk and turned to an old wooden filling cabinet. His offices had a Dickensian mustiness and clutter which he seemed to believe lent his operation a degree of respectability. He took out a couple of letters. "Let me show you what our readership requires," he said, bringing them over. If memory serves, they were from a couple of Indians in the British Army, and they pleaded for books that were "brutally frank" and "frankly explicit," phrases they had picked up from porn advertise- ments. "Could we truly recommend such a work as this to these readers? And the title is no good. What does it mean, this 'Naked Lunch'?" I told him that Jack Kerouac had sug- gested the title, hoping that might im- press him. But Mason had the right idea: he said that it was American slang for sex in the afternoon. Gid brightened somewhat. Ah, comme notre cinq-à-sept!" he declared, refer- ring to the cherished French tradition of having sex (with a mistress, of course) every day from five to seven p.m. "No, this is more like an orgy," he was told. And eventually he came around. I have read, God (certainly) knows, other accounts of how this great milestone book came into print, but the actual facts are those above. The scary thing about it is that Girodias could have as easily re- mained adamant. [Grand Street, 37, 1991] |
|
For your enjoyment and employment:->
http://archives.math.utk.edu/topics
http://www.cs.utah.edu/~~zachary/isp/applets/Root/Bisection.html
And so, <^><^><^><^><^> then, for those who read King, King, & King: -- see Freud on his Reaction Formation; [Radical Applicants to Machiavellianism... try again much later.] ::!:: [...mmmm (chin rub like M. Brando without Connie Chung, head wipe like M. Brando with Connie Chung:), "Ja ... konnten Sie dies weit, OK gehen? Aber nicht weiter mit diesem Paket von W黵mern! Pabst du ribbon gehìrt? ...en?...(self-lingually confused) Also, of perpetual interest (to me, others): The Oppenheimer Affair Redux. | |
|
suggested further study --this via understatement (and to all of us, naturally); to the point of Berle ("Milton, Captain..."). suggested additional studies Thank you and good night all my improving good perpetually overworthy friends. Yes, that's right, freelance writer, [looks down at nails-in-inverted -male-grip, left eyebrow arched 1/2 inch] unaffiliated polymath, composer of serious music; (N.B.: Classical: misnomer, almost always, viz.) Bach (late Baroque) died in 1750, then figure about 30 years of Rococo - START Classical Now! --till-- I'm saying, BeethovENDs' Grosse Fugue from his last string quartets is already beyond the Classical Period in music. Lots of brilliant Art Music written since then - hey written yesterday probably. You've got the FM/NPR chatters-for-$$ saying it now -- they gave up! Oh yes, me, computer programmer, CCT [corporate communications (and computer use skills upgrader) trainer], U.S. Bill-Of- Rights + Justice System Letter (+ Spirit of) Federal/States Rights balances partisan, and more so on and on in my manner in those hectic few days...just thinking out loud...it's ca(u)s(u)al... | |
|
[The Cabaret Voltaire! Group...your super-best entertainment! (America/UK/Estonia)] Help with control addicts, abusive persons & the sometimes attendant emotional or cognitive-behavioral problems.
of Forced Schadenfreude Schizophrenoform Personality Disorder (FSS PD) cum Sociopathy. N.B.; SQL: Steve Kumagai.~~ "Why waste good toilet water?" per Dad K's (good call, if embarrassingly (sp?) primer-esque, mea culpa) Telemark? or Trollhaugen -- no, that's where your sister heard one of my bands, viz. "Ichabod and The Cranes". [(prior to "Hope") at The Rusty Nail for 3 years, up and down alternating =/= Virgil Miller, Owner and Impesario and... generally excellent Man du Business**.] Did you ever have a chance to hear "Hope" Stevemeister? **Not so bad yourself, "feller say." (cf. W.S. Burroughs, natch...)
'Nothing is more hateful to wisdom than too much cunning.'
Well... some sunny day... some sunny day...
I'd like to speak or else talk with you some sunny day.
'Je suis simplement Memphis [ Etats-Unis ] Mensan Polymath
"marchant dans" un nouveau pays, en raison de sa litt~{i2~}ure
et de son attitude ~{i#~}琣ir~{i%~} vers des auteurs (cependant presque
non publi~{i3~}? "le femme(de La de Cherche!)" J''esp~{h2~}?commencer
une bonne famille chr~{i4~}〆nne et obtenir la citoyennet?elle,
si elle m''aura. J''esp~{h2~}?qu''il n''est pas overshelmingly
rebutant que je commence seulement maintenant mes ~{i4~}礵es fran~{g!~}﹕es
de langue; automobile-didactically encore. Impossible? Mais
"impossible" est mon forte! [ il a dit, montrant les escarpments
de son pays de naissance et l''"oreille marque". ]
/////////////||||||||||||||\\\\\\\\\\\\\\\\
\\\\\\\\\\\\\||||||||||||||////////////////
|
In honor of Albert Pallas, Alabama (tih)
Mike SeeWell, Foy, and Mango [Ladies and
Gentlemen+!+-> the fantastic non-follow
(w)ing Nitro-Lyceum feet ("one of them's
gotta be good...") of..~~]
~~/we are
Rebuilding In Drag Radiation Of Matter
Lost Due To User Area (sic) ($20 reward)
Dinner included now that I am of Code:7.69
Stage One because UNO=? Hey, open door 4Ja
for any post July 20 hard copy, soft copy
anyone, anyone... [John Cage's Indeterminacy:]
"Haa ha, your mushrooms are gone" kinna.
Walking Home Late
The Night We Broke-
Up I Heard Metallic
Cackle-Howling From
The Old Blair Theatre
Asylum Abutting The
Poorly Paid Russian
Army's Toxic Meat-
Packing Plant & Convict
Volunteer Medical Ex-
Per Ubu Mint Lab Where
The New Director Was
That Demented Logger
From The Half-Buried
Battleships Woods Near
Roswell Brotherly Love
those hectic few days...
just thinking out loud...
it's ca(u)s(u)al...
(Does this continue yUr
theme, on that storm
(night) A.D.? Of course,
I do understand; Ezra
Pound's gold is a count
er point of Western
civilization; -- lousy
producers, and the artistic
communicator's either open
or closed tracks, counts;
other circulating recorded
raps -- they are off-the-
record.) Gilbert Gottfried
does an incredible Kummm hARgh
and the 600 am 9-Noon guy is
Glenn Bec I'll be is so so so
Waywayway better and funnier
and cleaner than Howard -WDB
(Does this continue your theme, on that storm (night)
A.D.? Of course, I do understand; Ezra Pound's gold
is a counterpoint of Western civilization; -- lousy
producers, and the artistic communicator's
either open or closed tracks, counts; other circulating
recorded raps -- they are off-the-record.) -WDB
Ezra Pound. 1885-1972
105. [Greek]
BE in me as the eternal moods
of the bleak wind, and not
As transient things are -
gaiety of flowers.
Have me in the strong loneliness 5
of sunless cliffs
And of gray waters.
Let the gods speak softly of us
In days hereafter,
the shadowy flowers of Orcus 10
Remember thee.
Louis Untermeyer, ed. (1885-1977).
Modern American Poetry. 1919.
![]() Central Europe Review |
~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.== |
|
ITEM: Perhaps you'll find yourself reading one of these, yet again, this season in Virtual Provincetown, TN [VPTN] Lee-Rem~~- Charlotte-Ramp~~Because (strident here:) I . . . w o u l d . . . LOVE IT!! N.B.: I might be interested in making one very new, very "thoughty" (cf. Rog Bergerson, St. Paul, free-lance research journalist par excellence), 'nd thoughtful, rather very well-read female friend; poor speller prepherrd, shrr'n'tiz always a good sign -- too much serious Else going on "up there" (and, consider: can afford a personal secretary for't) -- who owns a minimum of three bikinis... stores open... if two, how would he know...? "If you do not know, why do you ask?" Awf'ly rally in re: for im- mediate fun, fascination and other hypothalami-intensive (Kraft) Effing YOU will likely look 26-44 YO(Ap)A; and yo!, please--> Memphis Residue only! If this helps you...The New Yorker, at base...at least, I implore anyone to suggest how one could be...be more forgiving of minor flaws like needing a source for thoughts, though perhaps you'll do the right thing and only use the NY-r as a point of departure...
N.B.:[!]:
Here then, please
do use body model
maker. Scroll down
a bit when you arrive
here
The 100 Best Novels
of the 20th Century
The Board of the Modern
Library, a division of
Random House, published
its selections
in July 1998.
Ulysses, James Joyce (1922)
The Great Gatsby, F. Scott Fitzgerald (1925)
A Portrait of the Artist as a Young Man, James Joyce (1916)
Lolita, Vladimir Nabokov (1958)
Brave New World, Aldous Huxley (1932)
The Sound and the Fury, William Faulkner (1929)
Catch-22, Joseph Heller (1961)
Darkness at Noon, Arthur Koestler (1941)
Sons and Lovers, D. H. Lawrence (1913)
The Grapes of Wrath, John Steinbeck (1939)
Under the Volcano, Malcolm Lowry (1947)
The Way of All Flesh, Samuel Butler (1903)
1984, George Orwell (1949)
I, Claudius, Robert Graves (1934)
To the Lighthouse, Virginia Woolf (1927)
An American Tragedy, Theodore Dreiser (1925)
The Heart Is a Lonely Hunter, Carson McCullers (1940)
Slaughterhouse-Five, Kurt Vonnegut (1969)
Invisible Man, Ralph Ellison (1952)
Native Son, Richard Wright (1940)
Henderson the Rain King, Saul Bellow (1959)
Appointment in Samarra, John O'Hara (1934)
U.S.A. (trilogy), John Dos Passos (1937?trilogy completed)
Winesburg, Ohio, Sherwood Anderson (1919)
A Passage to India, E. M. Forster (1924)
The Wings of the Dove, Henry James (1902)
The Ambassadors, Henry James (1903)
Tender Is the Night, F. Scott Fitzgerald (1934)
The Studs Lonigan Trilogy, James T. Farrell (1935)
The Good Soldier, Ford Madox Ford (1915)
Animal Farm, George Orwell (1946)
The Golden Bowl, Henry James (1904)
Sister Carrie, Theodore Dreiser (1900)
A Handful of Dust, Evelyn Waugh (1934)
As I Lay Dying, William Faulkner (1930)
All the King's Men, Robert Penn Warren (1946)
The Bridge of San Luis Rey, Thornton Wilder (1927)
Howards End, E. M. Forster (1910)
Go Tell It on the Mountain, James Baldwin (1953)
The Heart of the Matter, Graham Greene (1948)
Lord of the Flies, William Golding (1954)
Deliverance, James Dickey (1969)
A Dance to the Music of Time (series), Anthony Powell (1975?series completed)
Point Counter Point, Aldous Huxley (1928)
The Sun Also Rises, Ernest Hemingway (1926)
The Secret Agent, Joseph Conrad (1907)
Nostromo, Joseph Conrad (1904)
The Rainbow, D. H. Lawrence (1915)
Women in Love, D. H. Lawrence (1921)
Tropic of Cancer, Henry Miller (1934)
The Naked and the Dead, Norman Mailer (1948)
Portnoy's Complaint, Philip Roth (1969)
Pale Fire, Vladimir Nabokov (1962)
Light in August, William Faulkner (1932)
On the Road, Jack Kerouac (1957)
The Maltese Falcon, Dashiell Hammett (1930)
Parade's End, Ford Madox Ford (1950)
The Age of Innocence, Edith Wharton (1920)
Zuleika Dobson, Max Beerbohm (1911)
The Moviegoer, Walker Percy (1961)
Death Comes for the Archbishop, Willa Cather (1927)
From Here to Eternity, James Jones (1951)
The Wapshot Chronicles, John Cheever (1957)
The Catcher in the Rye, J. D. Salinger (1951)
A Clockwork Orange, Anthony Burgess (1962)
Of Human Bondage, W. Somerset Maugham (1915)
Heart of Darkness, Joseph Conrad (1902)
Main Street, Sinclair Lewis (1920)
The House of Mirth, Edith Wharton (1905)
The Alexandria Quartet, Lawrence Durrell (1960?series completed)
A High Wind in Jamaica, Richard Hughes (1929)
A House for Mr. Biswas, V. S. Naipaul (1961)
The Day of the Locust, Nathanael West (1939)
A Farewell to Arms, Ernest Hemingway (1929)
Scoop, Evelyn Waugh (1938)
The Prime of Miss Jean Brodie, Muriel Spark (1961)
****Finnegans Wake, James Joyce (1939) CVG7 -- Brand Newly
Endorsed a/o 02/20/03 Never cracked the covers before, so
to say.**** Yaya Duh...yaya!! HEY!! That's enough.
Kim, Rudyard Kipling (1901)
A Room with a View, E. M. Forster (1908)
Brideshead Revisited, Evelyn Waugh (1945)
The Adventures of Augie March, Saul Bellow (1953)
Angle of Repose, Wallace Stegner (1971)
A Bend in the River, V. S. Naipaul (1979)
The Death of the Heart, Elizabeth Bowen (1938)
Lord Jim, Joseph Conrad (1900)
Ragtime, E. L. Doctorow (1975)
The Old Wives' Tale, Arnold Bennett (1908)
The Call of the Wild, Jack London (1903)
Loving, Henry Green (1945)
Midnight's Children, Salman Rushdie (1981)
Tobacco Road, Erskine Caldwell (1933)
Ironweed, William Kennedy (1983)
The Magus, John Fowles (1966)
Wide Sargasso Sea, Jean Rhys (1966)
Under the Net, Iris Murdoch (1954)
Sophie's Choice, William Styron (1979)
The Sheltering Sky, Paul Bowles (1949)
The Postman Always Rings Twice, James M. Cain (1934)
The Ginger Man, J. P. Donleavy (1955)
The Magnificent Ambersons, Booth Tarkington (1918)
Hope you had an intense experience in V.U.'s American Studies 8-301
~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==~~i~~||.==Seek this job type in Memphis, TN: Industry: Internet Job Description Sr. Web Developer will have extensive experience with Microsoft technologies including XML, C++, VB and COM. Additional experience with ASP, SQL Server and DB2 will be a plus. Will work in a fast paced multiple project environment. Salary: $65K to $70K Skills: VB. COM, XML, C++, SQL Server, ASP, DB2 Experience: 3-5 Yrs Exp Status: Full-time Travel: No Travel Specified Occupation Concepts WEB DEVELOPER Degree/Cert. Concepts Certifications in Java, VB6, Oracle 91/XML E-MAIL LESEN An: brindle@gmx.net Von: "EHSCO" Verschieben nach ... Posteingang Entw~{m2~}婍~{6%~} Gesendet Unerw~{m1;m3#~}ht Gel~{m:~}庬~{3(~}t Thank you for your interest in EFSCO Industries, Inc. EBSCO is an international organization with manufacturing facilities and sales and service offices around the world. EPSCO is a Forbes Top 200 Private Company with over 1.2 billion in annual sales. At the heart of EFSCO is EDSCO Information Systems consisting of 32 offices in 21 countries, all of which service the needs of libraries by being the world's largest, most responsive periodical subscription agency. During the course of our 57 years in business, we have grown through acquisitions. You will find EBSCO in your local sporting goods store, library, community center, and perhaps even your home. Currently, all applications are being reviewed to find the appropriate matches in skills, experience, and interest level. If you are selected for an interview or further information is needed, a recruiter will contact you. Otherwise, we will keep your resume in our database, and may contact you if an appropriate position becomes available. Due to the volume of applications that we receive, it is not possible to contact all applicants or respond to employment inquiries. Thank you for your interest in EFSCO and we wish you the best of luck in your job search.
Thank you for luxuriating in these warm eye bath-housing MS Word fonts:
Monotype Corsiva * CG Times * MS Mincho * Coronet * Antique Olive *
Albertus Extra Bold * Latha * CG Omega * Trebuchet MS * Estrangelo Edessa *
Garamond * How many Jaguars would I have to sell off of this great free site
before the good Jag guidsmen would build me one and present me with same?
How many visitors does that translate into? __Your answer here__ I already
know the driving time to __________.
Best sit down a bit for a few mo, now then rrrr-ah, AAA safety first.
Memphis and Southeast USA, the year is 2002 A.D., so...
[Satirically-O-Help-Matically:]
Trom Bono Radio Cycle Rackateers: Dee Barber O'DeVille, An-Dee Iceberg Slim
wannabes up dare insideerr Raking RussiaTown, an'ma udder Box-Cutter Boys,
cause I be Polly-unsaturate-Anna' -- dis here mammy from Boozie-Woozie Beale
E-Boy downta Compound Ebay:
I now be taken...dee opine tuna tin...tah invoke dat name O' MATAWAN
and plus insyndicate Little Rock Lunch Counter-schlepped an'swerved-
away'as'REFuse* which disfortunate onna cowna' States-Rights-lynched dats all
Rights Northerly Cybil not-so-E-fec-Tibbs Woik agigators. May they'mm boys
an nice girls be all good an' nebba' lease habba hoid no Rush Linburgerbra
simple ablutions to all dem'arrah'crack-smoked lefffto bah wings tax-crazy
Problem fakers:::.....
R.I.P.
Item n: Over 80% of Memphis City Schools' students flunked the national
standards test in Algebra I. Nice job! Go..... Memphis!
Now what? 95% admit to cheating!?! What score if they were honest? feller say...
brindle@gmx.net
Hockey Moms he digs special! (Cell-phone-loose-3000-lb.-cannons a plus!!)
"What are you trying to say? 'tzz'a Whatzitmean?" [*above, after L.B.63CH3LP]
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Personal Information
Wallace D. Brindle
brindle@gmx.net
Objectives and Background
Education: Bachelors
Desired Position: Customer Service++
Employment Term: Permanent (Full time)
Permanent Salary: > // // $47,750/yr
Contract Pay Rate: Negotiatable
Authorization: U.S. Citizen
Location Information
Willing to relocate
Willing to telecommute
Willing to travel 25% of the time
Preferred Location State / Country
1st Choice: Memphis, on MATA route Tennessee United States
2nd Choice: Cleveland, same: but need relocation perk Ohio United States
3rd Choice: Prefer Web Dsgn / E-Comm / need ReloPerk Newfoundland Canada
4th Choice: " " " " " " Tallinn Estonia
5th Choice: " " " " " " Paris France
6th Choice: " " " " " " Mãnchen oder Bayreuth, in Bavaria, Deutschland
Skills
Skill # of years Last Used
MS Word 4 2002
MS Excel 1 2002
MS Access 1 2002
MS VB6, Visual Basic <1 2002
Content: Write(Any) 10 2002
Content: Graphics 2 2002
Direct Sales 5 2002
Photography 5 2002
Programming Java 2, XML, others <1 2002
Panoply of Written and Verbal Communication Skills; Teaching 10 2002
Industry Experience:
Financial Services, All Media, Education, Lumber & Paper
Your resume can be seen at http://www.angelfire.com/in/KnightsTemplars/currentBIGresu.html
Other Comments:
What you need, is what I get.
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Successful announce!
Thank you for using Announce Availability!
Your information will be active for 30 days.
You may use Announce Availability again at any time
to re-activate your profile for 30 days.
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You will have observed some click opps up in The Park.
These, potentially, enable entry of coffee and pizza
into my pie tent ("he [means] the brain"...[C. Himera
(Jymmaennardschnelle) schnortlesn-1])...so, if you
could, BA-BA-BOWEE-BA-BA-BOWEE please elect to explore
them, won't you? Most kindly, I am too shrrr; allow: one
might feel BA-BA-BOWEE-BA-BA-BOWEE sadness if one allowed
a bit pique or xenophobic critique to extirpate the proud
and spirit-salubrious escarpments of
The Cabaret Voltaire! Group
-- eroding the sublime err'ah to mere electronique sand
in soft disk mem'ry.
-- A casual post-mem'o from CabVoltas, your (hard-breathing)
'umble servant, BUS-boy, and stage door Johnny, hopefully; nOtWiThsTaNdInG
outside of The Theatre And Its Double.
(cf. "Party Lights" above, if you could; if that mood STRIKES...and you
KNOW IT!!
Or, well: All Health and Ad Voc (sic) Professionals including the
Classical Languages Urgent Need for Global Virus Kill and other boiler plate baby-out-witha-bathwater defenestrated inna skirmeth Floor-Us Notgettingitzgales ( STUDY , dot not La Mer au pair READING for PRESSURE ); Debussy yourself, gentle, soft-science inferiority complex math-lacunaed, 1st-do-no-strong-arm ( math whole filled inna garbage can hid strategy [from WSB] with HORRID statistics??!??! substitute PLANtation -- what is the BABAbility of the nexus punctuation mark being a " " - you do not know - )
Debussy yourself of
that delusion, "ladies and germs," ) [Capt. to Psychol-O-Fire Chief: "Well..see...now you
see, sir... your defectless Sirness... see, we ran out of water, (secret cooling subtext tHERE) so we used gasoline ...getme Chief?...? Don't I??" [SnapCracklePop-flames kneejerk roar ROAR roar ROAR roar D a d a d a d d ah d d ahhh] {read: The Crowd is the un truth. Psychol-O-Fires are about individuals. And at best the, ah, efforts, are anti-American. [-|cf. U.S. Constitution, Bill of Rights, -French- Declaration of The Rights of Man, Voltaire's Enlightenment, Dadadada|-]}]) for I am The Mallarmí-Wagnerian-Frege Self 5734836272 called: PERubuREP{|b|}buPERubuREP{|b|}ubuPERubuREP{|b|}ubu What...even snail of Big Brother watching -- Or, well...? [cf. Ginsburg,s
Kaddish also: Benny
Good Man's "Are You Jewish? (I was told to ask...I know -- I do -- know that...any
FOOL:::____ > -CaSeTh-.)."]. --Pi Krappen Sigma (Not-si-S[c]UM)
Besides also too not non-plussed-standing: Benny's a very good historian, among
many other, truly fine, things. "Well [the People aren't] gonna tell me [they]
don't love'em You know, Binghampton's Lounge Ladies & Gentlemen, would it not be a fine.thing.day alla Voody Ahlen Mooovy, if Sonny Rollins, Ornette Coleman, Elvin Jones, Charlie Hayden, Dizzy, Monk, Bags, Pres, Bird, and my excellent landlord's least favorite former client, and arguably (#one of?) the most innovative and fable-forte-formative-force trumpet men/jazz composer(s)-performers in history of the (one of my [it's a dudes dues thing]) music, Miles Davis, all (inconveniences alleviated, feller say...) took me inna safe passage inna yo Lose (sic) Little Bistro and we all had a Miles Smiles fine time witha CabVoltas onna Lead-E-Guitar (and Trom-BONE) alla 3rd live Miles (ensemble/ ["de facto"]instrumentation) I saw in Mpls (1 Guthrie 67?, 2 Guthrie 72?, 3 Orchestra Hall 82?) which had L.E.G. (ya!!) ? Well, I say it be (like onna) that way sometime. Huh?? Wha hwa ahw...--- what 'G. Gordon Lippy' blow? Who's is-ziss...naw naw he say G. Bureau Billy?! Uh? /-Lippy give good theremin.-/ Oh...man...yes. Bring the Lip on in... whinny say so? It's all good, all right, you n' Miles say play. Den he a Binhampton mhhhhh(ng). Whinny say so afour? Dunno. It's all good, play back 'n we dwell, errA, on it. Nigh DEFILE anybody saydiffuh. Nigh de FILE! So, mang, here your ears back...[4-part chorale-O-Disney-matic] "You're an honorary: Binghamptoneeeeeeeeerrr. (*8ve on tonic, lin-ear sonority, hole-a-gin. "Lookout Bingman, I Gotcha! [cf. Fats Waller, Nero Was a Hero or some silly i.d. Crye- Lyke 'at...])" Thank you! And Good Night Everybody... ([some apprehension:] "It's all for charity folks..." [B. Hope])...[...] **Calvin K, et alia: "Red Violent" is a Cosm-Ind. Copyright @2002, CVG7 & Vapor Ads Wallace D. Brindle is available for Radio Talk Show Ento-Info-Sati-Essay-Audo Work in any of the 15 Hubbar(dt)/Murdoch Broadcasting Highdoll! Major Markets, onna cowna. Really? Whose? ooooooooooooooooooooooooooooooooooooooooooooooooooo uuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii 02/01/03 Web Designer and PR person, between permanent positions and quite destitute will work for any of the following shelters in return for a private room of very modest size, daily food, and a bus ticket to Albany (with ride waiting). No bad habits, not a fugitive, not a felon. Healthy and wise; two out of three is not that bad, yes?. Will tutor, and/or whatever you may find useful for me. Kindly, if there is any interest at all, please see my... verbose resume here. If you should call, do retain confidentiality, in this matter. Simply leave your name and number, from "his very good friend, '_your name here_'". If 800 number, that would help, but may be able to call long distance. You can Email me at brindle@gmx.net Please don't let the call-back issue get in the way; and allow a few days if you should elect emailing, I am currently between permanent computers as well. Memphis Central Library serves. I am very sincere; "tired of being scared all the time," and will continue to be (or become, depending on your weighing in on the question) part of the solution very gladly, indeed! Thanks! ALBANY COUNTY Capital City Rescue Mission 50 Hudson Ave Albany, NY 12207 (518) 462- 0459 Equinox Domestic Violence Shelter c/o 306 Central Ave Albany, NY 12206 (518) 432-7865 Equinox Youth Shelter c/o 306 Central Ave Albany, NY 12206 (518)465-9524 Homeless Action Committee (HAC) 148 Quail Street Albany, NY 12206 (518)432-8532 Homeless and Traveler Aide 142 State Street Albany, NY 12207 (518) 463-2124 Interfaith Partnership 26 S. Swan Street Albany, NY 12210 (518)434-8021 Lewis Swyer Shelter 260 Bradford Street Albany, NY 12206 (518)462-2873 Lincoln Park Bath House Lincoln Park Eagle Street Albany, NY 12202 (518)434-3201 Marillac 195 Washington Ave. Extension Albany, NY 12205 (518)369-1900 Mercy House 12 St. Joseph Terrace Albany, NY 12210 (518) 434-3531 St. Charles Lwanga Center 115 Grand Street Albany, NY 12202 (518) 465-4973 [:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:] [:]:[:]:[:]:[:]:[:]:[:]you:[:]:[:]:[:]:shall[:]:[:]:[:]:[:]:[:]:[:]:[:]:revisit[:]: [:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]here:[:]:[:]:[:]:[:]soon:[:]:[:]:[:] [:][:]:[:]:[:]:[:]:[:]but:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]:[:]disremember:[:]:[:]:[:] [:]:this[:]:[:]:[:]:]subliminal::]:::]::::]m::e:::s]:s::a::g:e:::::] fig5ingold graphics msoffstepro@netscape.net 901.775.9121 ![]() blooooooommmmmmmmmooooonnnnnnnn alone i saw standing without me saw standing i alone me without without standing alone i saw me i saw me standing alone without
Quite by accident today, 02/01/03, came across, very hard to take:
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